Bridalveil Fall VI
Included in the Yosemite National Park series.
Circa 2017.
Bridalveil Fall was my first stop in Yosemite National Park. This view, looking along the after-flow of the falls, caught my eye, especially with the waterfall framed beautifully through the trees. Hallie was so proud of herself perched up on a rock beside me as I took this image.
*As a landscape photographer, I’ve long drawn inspiration from Ansel Adams, particularly his work in Yosemite. Standing before some of the same iconic locations he famously captured was a magical experience. Bridalveil Fall was just the first of many incredible sights I would encounter that day.
PRINTING INFORMATION
Every digital print within the collection is produced using either Hahnemühle Photo Rag Baryta, a 100% cotton paper with a subtle luster finish (315GSM), or Hahnemühle William Turner, a mold-made watercolor paper specially coated for inkjet printing (310GSM). These are two of my preferred papers to work with, chosen for their remarkable depth, texture, and archival quality, allowing me to create prints intended to be enjoyed for a lifetime.
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Each LIMITED EDITION print includes a carefully sized white paper margin where my signature and the corresponding edition number are hand-noted, further authenticating the piece as part of
the collection.
Also included with each LIMITED EDITION print is a uniquely designed certificate of authenticity featuring my signature, the title of the work, and its edition number. For long-term preservation, I recommend attaching the certificate in an envelope on the back of the framed artwork.
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The sizes listed reflects the overall dimensions of your finished print, including the white border. This border is intentionally incorporated into the design to create a naturally matted presentation, giving the artwork a refined gallery-style appearance. This can help alleviate the added expense of professional matting, and the need for a larger frame as well.
Please note that slight variations in border proportions may occur depending on the image format and selected print size, thus in some circumstances resulting in uneven white border on two of the sides. This is done intentionally as it creates a unique presentation of those particular pieces of my artwork, along with providing uniformity within the print sizes I offer. If preferred, your professional framer can easily trim the final white border to create perfectly balanced sides prior to the final framing. It wont effect the value of your investment.
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I personally take great care in ensuring each print is packaged securely for safe arrival. Once your piece arrives, I recommend keeping it inside the protective sleeve until it is ready to be framed. Larger prints should be handled with particular care when unrolling, as damage can occur if rushed or handled improperly. For oversized works, I strongly suggest having the print unrolled and prepared by a professional framer.
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*There are links located in the footer of each page for additional information.
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