Rimlight Nude Series, Plate 5

Some important information to share…

Every digital print within the collection is produced using either Hahnemühle Photo Rag Baryta, a 100% cotton paper with a subtle luster finish (315GSM), or Hahnemühle William Turner, a mold-made watercolor paper specially coated for inkjet printing (310GSM). These are two of my preferred papers to work with, chosen for their remarkable depth, texture, and archival quality, allowing me to create prints intended to be enjoyed for a lifetime.
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Each print includes a carefully sized white paper margin where my signature and the corresponding edition number are hand-noted, further authenticating the piece as part of
the collection.

Included is a uniquely designed certificate of authenticity featuring my signature, the title of the work, and its edition number. For long-term preservation, I recommend placing the certificate in an envelope on the back of the framed artwork.
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The sizes listed reflects the overall dimensions of your finished print, including the white border. This border is intentionally incorporated into the design to create a naturally matted presentation, giving the artwork a refined gallery-style appearance. This can help negate the extra expense for card stock matting, and a larger frame as well.

Please note that slight variations in border proportions may occur depending on the image format and selected print size, thus in some circumstances resulting in uneven white border on two of the sides. This is done intentionally as it creates a unique presentation of those particular pieces of my artwork, along with providing uniformity within the print sizes I offer.
If preferred, your professional framer can easily trim the final white border to create perfectly balanced sides prior to the final framing. It wont effect the value of your investment.
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I personally take great care in ensuring each print is packaged securely for safe arrival. Once your piece arrives, I recommend keeping it inside the protective glassine sleeve until it is ready to be framed. Larger prints should be handled with particular care when unrolling, as damage can occur if rushed or handled improperly. For oversized works, I strongly suggest having the print unrolled and prepared by a professional framer.
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*Be sure to review the links located in the footer of each page for additional information.